I was amused the other day -- B2 accidentally learned about mag-lev the other day. The boys have some Magnetix toys, and B2 had put a couple of the little pieces into a plastic tube (really, a kind of plastic flask from one of B1's science kits -- the kind that can stand and you can put a cap on the other end)...
Anyway, the boys were delighted by the discovery, so I explained magnetic attraction and repulsion to them. It's fun, because it seems like magic, and I loved that B2 was the one who stumbled upon it.
Yesterday, I saw a guy on the bus traveling with an upright bass! I was really surprised to see that -- both from a perspective of it being unwieldy, but also, super-expensive -- why risk traveling with that on public transit? Ah, well.
Saturday, October 16, 2010
Friday, October 15, 2010
Monkeyboy
Alright, so I'm watching "Monkey Shines" tonight, and I'm reminded of the trailer for it...
Monkey Shines Trailer
Which masterfully chooses that cymbal-banging chimp as an image for it....
Who in their right mind ever thought those were fun? Was it some wicked toymaker who crafted them? Was it simply the novelty of the automaton ape banging the cymbals that sold it? Or were kids so fun-starved back then that they'd take any toy, even one as creepy as this. I remember a cousin having one of those, and he skinned it, which made it look even creepier. But seriously, who would give that to their kid?
"Here ya go, Scout!" (tousles hair) "Have FUN! Daddy's going out drinking tonight!"
Kid sits in room, gazing in terror at the cymbal chimp...
Jolly Chimp
Monkey Shines Trailer
Which masterfully chooses that cymbal-banging chimp as an image for it....
Who in their right mind ever thought those were fun? Was it some wicked toymaker who crafted them? Was it simply the novelty of the automaton ape banging the cymbals that sold it? Or were kids so fun-starved back then that they'd take any toy, even one as creepy as this. I remember a cousin having one of those, and he skinned it, which made it look even creepier. But seriously, who would give that to their kid?
"Here ya go, Scout!" (tousles hair) "Have FUN! Daddy's going out drinking tonight!"
Kid sits in room, gazing in terror at the cymbal chimp...
Jolly Chimp
This & That
I woke up too early. Couldn't go back to sleep. Gonna be one of those lonnnng days.
On the bright side, I've had a handful of great short story ideas that I'm going to write once I'm done with the book draft. That's kind of my "reward" for finishing a book -- I'll dive into some short stories. That's always my private joke about that: the reward for writing is more writing! That's how it goes. The four short stories just jumped into my head, two days in a row. I liked the ideas well enough to commit to them.
I grabbed the Cronenberg "The Fly" (1986) and Romero's "Monkey Shines" (1988) on DVD -- those are movies I hadn't seen in a long time, and with Halloween coming, I wanted to indulge in some Horror-type movies. I enjoyed "The Fly" -- it really is very old-school Horror, in many ways. Funny to see Geena Davis in it, too -- she dresses SO 80s in it, it's very amusing. I can actually remember classmates in high school dressing just like that. Jeff Goldblum did a good job in that role as Seth Brundle. I read that he's an accomplished jazz pianist, which doesn't surprise me, since he plays the piano a bit in "The Fly" and I thought "Wow, he can actually play." I'm sure it's one of those actorly details he wanted to include, just to fill out his character a bit. I'm gonna watch "Monkey Shines" tonight. I haven't seen that one since it first came out, but I remembered liking it back then.
A coworker of mine didn't get the job he was hoping to get, and it really rattled him. It was kind of rattling to see him so rattled -- I mean, he's a fretful type, anyway, but seeing him visibly unsettled by that failure was kind of alarming. What's he got to worry about? His wife works full-time, so even losing his job, he'll still have that. Sure, they'll take a financial hit, but he's got her as a partner to help him out. I should be stressed out about the job situation, but I'm just not. Maybe it's just because of the stressload I've had to deal with for the past three+ years, I just take this stuff in stride, anymore, and don't get upset about it. I don't know. The coworker is 10 years younger than me, has a PhD -- he's got nothing to worry about, truly. He'll find something. As I said, I should be the one worrying, but I'm just not, and it's hard to really explain why. Something'll work out. I'll just make it happen.
On the bright side, I've had a handful of great short story ideas that I'm going to write once I'm done with the book draft. That's kind of my "reward" for finishing a book -- I'll dive into some short stories. That's always my private joke about that: the reward for writing is more writing! That's how it goes. The four short stories just jumped into my head, two days in a row. I liked the ideas well enough to commit to them.
I grabbed the Cronenberg "The Fly" (1986) and Romero's "Monkey Shines" (1988) on DVD -- those are movies I hadn't seen in a long time, and with Halloween coming, I wanted to indulge in some Horror-type movies. I enjoyed "The Fly" -- it really is very old-school Horror, in many ways. Funny to see Geena Davis in it, too -- she dresses SO 80s in it, it's very amusing. I can actually remember classmates in high school dressing just like that. Jeff Goldblum did a good job in that role as Seth Brundle. I read that he's an accomplished jazz pianist, which doesn't surprise me, since he plays the piano a bit in "The Fly" and I thought "Wow, he can actually play." I'm sure it's one of those actorly details he wanted to include, just to fill out his character a bit. I'm gonna watch "Monkey Shines" tonight. I haven't seen that one since it first came out, but I remembered liking it back then.
A coworker of mine didn't get the job he was hoping to get, and it really rattled him. It was kind of rattling to see him so rattled -- I mean, he's a fretful type, anyway, but seeing him visibly unsettled by that failure was kind of alarming. What's he got to worry about? His wife works full-time, so even losing his job, he'll still have that. Sure, they'll take a financial hit, but he's got her as a partner to help him out. I should be stressed out about the job situation, but I'm just not. Maybe it's just because of the stressload I've had to deal with for the past three+ years, I just take this stuff in stride, anymore, and don't get upset about it. I don't know. The coworker is 10 years younger than me, has a PhD -- he's got nothing to worry about, truly. He'll find something. As I said, I should be the one worrying, but I'm just not, and it's hard to really explain why. Something'll work out. I'll just make it happen.
Thursday, October 14, 2010
Dance
Interesting piece, "Is Ballet Over?" I've kind of wondered. Relative to other forms of dance, it sort of seems to be, unfortunately for it.
Tuesday, October 12, 2010
Busin'
Trippy ride home. Just lots of stuff to see -- four different guys sporting different lavender shirts (two button-downs, one gingham, and one golf shirt). That amused me, since the guys weren't together, were totally independent of one another, and all converged in roughly the same area of the bus, despite getting on at different times.
The Shrew Sisters -- this duo I saw: 1) chinless, skinny-thighed gal with black-dyed hair and faded denim jean shorts, silver nose ring in her ear, kind of dissatisfied look on her face, looked like a thirsty drunk, wearing Indian mocs with Thunderbird on them in beads. 2) burgundy-dyed hair, black-lined eyes, bad complexion, constantly had her hand to her face, absently chewing on her fingers. Orange socks and untied, laceless black ankle boots, tongues lolling out, gray blouse and gray and black striped sweater, mom jean shorts. They were together, and bore a sort of rat girl resemblance to one another. One kept leaning on the side door to the bus, triggering the alarm bell.
Sharp-shoed, shiny-booted babe in black, black cardigan and slacks, hard face, strong jaw, small eyes dusted black, flatly blonde, shoulder length hair, long and lean, stern gaze periodically broken with straight-edge smile while playing on her iPhone. Next to her, prim-lipped Pole and/or English gal with acid eyes and dark jeans and silver ballet flats that were bowed and ribbed, wearing short beige raincoat and black blouse with beige lozenges on it, patterned, and rectangular silver watch. Hair was lapsed blonde, furtive gaze that sussed out all the other chicks who passed her, what they were wearing.
Gal on the phone saying she needs to have a "friend cleanse" then added to the friend she was talking to "No, you're safe."
Hipster guys wearing hats -- a couple of fedoras (one black, one straw), and a guy in a baseball cap, of course. Little girl waving to everybody, calling out "HI!" in an overloud voice that made me smirk, while she did the little kid curled finger wave.
The Shrew Sisters -- this duo I saw: 1) chinless, skinny-thighed gal with black-dyed hair and faded denim jean shorts, silver nose ring in her ear, kind of dissatisfied look on her face, looked like a thirsty drunk, wearing Indian mocs with Thunderbird on them in beads. 2) burgundy-dyed hair, black-lined eyes, bad complexion, constantly had her hand to her face, absently chewing on her fingers. Orange socks and untied, laceless black ankle boots, tongues lolling out, gray blouse and gray and black striped sweater, mom jean shorts. They were together, and bore a sort of rat girl resemblance to one another. One kept leaning on the side door to the bus, triggering the alarm bell.
Sharp-shoed, shiny-booted babe in black, black cardigan and slacks, hard face, strong jaw, small eyes dusted black, flatly blonde, shoulder length hair, long and lean, stern gaze periodically broken with straight-edge smile while playing on her iPhone. Next to her, prim-lipped Pole and/or English gal with acid eyes and dark jeans and silver ballet flats that were bowed and ribbed, wearing short beige raincoat and black blouse with beige lozenges on it, patterned, and rectangular silver watch. Hair was lapsed blonde, furtive gaze that sussed out all the other chicks who passed her, what they were wearing.
Gal on the phone saying she needs to have a "friend cleanse" then added to the friend she was talking to "No, you're safe."
Hipster guys wearing hats -- a couple of fedoras (one black, one straw), and a guy in a baseball cap, of course. Little girl waving to everybody, calling out "HI!" in an overloud voice that made me smirk, while she did the little kid curled finger wave.
Monday, October 11, 2010
SSSSSSSSSSSSSSSSSSSSSSSSSSSSSure
This story is predicated on people's historical ignorance...
Waffen-SS reenactors
Sorry, but these d-bags playing soldier are going for something very specific in reenaacting the Waffen-SS.
Not the Wehrmacht, mind you -- that is, the standard German Army. But, rather, the Waffen-SS, who were the fullest expression of Nazi ideological aims. Hitler was displeased with his dependence on the Wehrmacht in WWII, and, particularly with the reluctance and political unreliability of the German generals -- he wanted soldiers who were politicized, fully Nazified, and willing to carry out the atrocities required of them without question.
What he'd originally relied upon was the Wehrmacht to conquer an area, and then the SS would come in behind the regular army and start butchering civilians. And sometimes the SS would cross paths with the Wehrmacht. Hitler and Himmler crafted the Waffen-SS (literally, "Weapon SS") as the ultimate Nazi soldier -- and that's the important distinction: not every soldier in the German Army was a committed Nazi -- and that was the "problem" in Hitler's view: he wanted a whole army of fucking Nazis, and the Waffen-SS served that role.
So, these paramilitary goons who play "Waffen-SS" aren't just innocent history buffs; they are creeps who actually fondly want to play Nazi in a way that they can get away with, so they come in under the war reenactment aegis as a cover for this clear fondness for Nazism. The Waffen-SS weren't better soldiers than the Wehrmacht, the professional class of soldiers -- they were more prone to fighting to the death and to committing war crimes, but, again, it's because of they were political soldiers and weapon-toting goons who were put in that role because they were hitmen for Hitler. Basically, death squads writ large. They were never part of the professional German Army, and Hitler wanted them to remain independent of them because he wanted them to remain "politically pure." They were responsible for any number of massacres and war crimes during WWII. That these creeps in this country are reenacting battles as Waffen-SS men is disgusting.
But then, these are the same brand of creepos who are fond of doing Civil War reenactments, likely wishing everybody could be on the side of Confederacy! I highly doubt these same freaks do Red Army reenactments, even though there were plenty of battles where the Red Army routed their beloved Nazis. No, these guys are very specifically honoring a criminal, politicized, blood-soaked, and disgraced paramilitary army, and are, thereby, disgracing themselves in the process.
Oh, and I'm sure they play innocent and claim that they're only "honoring" the conscript-dominated Waffen-SS of 1943 and beyond, but I highly doubt that. The whole organization was a criminal enterprise, the warhammer of Nazi Germany.
Waffen-SS reenactors
Sorry, but these d-bags playing soldier are going for something very specific in reenaacting the Waffen-SS.
Not the Wehrmacht, mind you -- that is, the standard German Army. But, rather, the Waffen-SS, who were the fullest expression of Nazi ideological aims. Hitler was displeased with his dependence on the Wehrmacht in WWII, and, particularly with the reluctance and political unreliability of the German generals -- he wanted soldiers who were politicized, fully Nazified, and willing to carry out the atrocities required of them without question.
What he'd originally relied upon was the Wehrmacht to conquer an area, and then the SS would come in behind the regular army and start butchering civilians. And sometimes the SS would cross paths with the Wehrmacht. Hitler and Himmler crafted the Waffen-SS (literally, "Weapon SS") as the ultimate Nazi soldier -- and that's the important distinction: not every soldier in the German Army was a committed Nazi -- and that was the "problem" in Hitler's view: he wanted a whole army of fucking Nazis, and the Waffen-SS served that role.
So, these paramilitary goons who play "Waffen-SS" aren't just innocent history buffs; they are creeps who actually fondly want to play Nazi in a way that they can get away with, so they come in under the war reenactment aegis as a cover for this clear fondness for Nazism. The Waffen-SS weren't better soldiers than the Wehrmacht, the professional class of soldiers -- they were more prone to fighting to the death and to committing war crimes, but, again, it's because of they were political soldiers and weapon-toting goons who were put in that role because they were hitmen for Hitler. Basically, death squads writ large. They were never part of the professional German Army, and Hitler wanted them to remain independent of them because he wanted them to remain "politically pure." They were responsible for any number of massacres and war crimes during WWII. That these creeps in this country are reenacting battles as Waffen-SS men is disgusting.
But then, these are the same brand of creepos who are fond of doing Civil War reenactments, likely wishing everybody could be on the side of Confederacy! I highly doubt these same freaks do Red Army reenactments, even though there were plenty of battles where the Red Army routed their beloved Nazis. No, these guys are very specifically honoring a criminal, politicized, blood-soaked, and disgraced paramilitary army, and are, thereby, disgracing themselves in the process.
Oh, and I'm sure they play innocent and claim that they're only "honoring" the conscript-dominated Waffen-SS of 1943 and beyond, but I highly doubt that. The whole organization was a criminal enterprise, the warhammer of Nazi Germany.
Sunday, October 10, 2010
The Creation
Today was the Chicago Marathon. Great weather for it. Yawn. Great weather all around -- it feels like a summer day, although quieter and milder. Good stuff. I had the boys out at a playground, where they were busy climbing trees. Very cute.
Nearly 40,000 words on the current book. I'm on track to finish the first draft by month's end, which'll be cool. Then a few weeks of revision, and then the slog of trying to find a home for it, which is always rough. Writing is like talking -- everybody thinks they can do it, but few people actually can. Sort of like this...
Very clear and obvious sentiment, right? Anybody could say that. That's where most people are at, when they say "Oh, I can write."
Some people are maybe at that level, allowing for a little more complexity to the mix.
Still more can maybe get that far. Maybe not even that well, but they can at least string a few notions together.
And so on. And on, and on. The above paragraph is only 376 words, and it's a simple memoir-style narrative, nothing even fancy. A novel is at least 80,000 words.
Most people don't write not only because they can't write (let alone write well, or convey ideas evocatively), but they don't have the stomach for it -- the raw thanklessness of it, the endless call of the words, to say nothing of the nature of characterization, plot, description, storytelling, exposition, narration, theme, metaphor, revision, rewriting, etc. -- most people have better things to do with their lives than write -- like watching paint dry, like getting root canals, driving off cliffs -- any number of worthwhile things.
It's comforting from an ego perspective to think "Oh, I could write a novel if I wanted to." Any time somebody says that, I say "Go for it." It's so much harder than you know. And only people who really, really love it will put themselves through it. The same goes for all creative endeavors -- even though creative things make our lives worth living, make them meaningful and rich and fun -- most creatives are not well-valued or even well-compensated. But all human progress flows through them, whether it's realized or not. Human progress flows from the visionary, and the creatives express their visions through their works, benefiting humanity at large.
It's like the anonymous caveman who made the sculpture of the pretty girl, the Venus of Brassempouy. One of the earliest renditions of a human face...
Now, I can almost hear Anonymous Caveman's buds going "Gronk? Why you sit there stare at Ooona? Why you make THING with your scraping stick? We busy throwing rocks in gorge. You come! You throw, too!" And Gronk shrugs, hides it from them, or else flaunts it. But Gronk made it, and it survived (they estimate it was made ~25,000 years ago).
Ooona must have been a paleolithic hottie, or at the very least, had bitchin' hair, since Gronk lavished attention on those plaits and/or braids she was sporting (or else the hood she was wearing -- it impressed him). All of Gronk's aesthetic choices are curious to me, how he marked her eyes and nose very clearly, but gave her no apparent mouth, and took great care with her hair, which must've really impressed him. Some cavebabe inspired Gronk, and Gronk did her justice in his creation. Maybe he thought it would give him magic powers over Ooona, or maybe he wanted to flatter her with the piece.
The very human, very wonderful nature of that moment, captured in a bit of mammoth tusk, communicates the delightful power of art, and how the seeming pointlessness of it is precisely its magic -- both of them -- creator and subject -- are long, long gone, but that creation endures and survives them. And, yes, I think it was a guy who made it, like many of those early Venus sculptures.
Not everything that's created is worthwhile, but that drive to create something beautiful, however it is done (and however it is defined) is a vital (if thankless) human process that is necessary for our betterment as a species. If art dies, humanity's soul dies with it.
Anyway, end of the month, I should be done. And then my usual cure when I'm done with a piece -- more writing. Hahah!
Nearly 40,000 words on the current book. I'm on track to finish the first draft by month's end, which'll be cool. Then a few weeks of revision, and then the slog of trying to find a home for it, which is always rough. Writing is like talking -- everybody thinks they can do it, but few people actually can. Sort of like this...
Dogs are nice.
Very clear and obvious sentiment, right? Anybody could say that. That's where most people are at, when they say "Oh, I can write."
Dogs are nice. Well, maybe not all dogs.
Some people are maybe at that level, allowing for a little more complexity to the mix.
Dogs are nice. Well, maybe not all dogs. Like Moose, the dog that lived in my neighborhood where I grew up. He was a Yellow Lab, a big dog with baleful brown eyes and a bad habit of chasing kids down the street, bellow-barking at them as he went.
Still more can maybe get that far. Maybe not even that well, but they can at least string a few notions together.
Dogs are nice. Well, maybe not all dogs. Like Moose, the dog that lived in my neighborhood where I grew up. He was a Yellow Lab, a big dog with baleful brown eyes and a bad habit of chasing kids down the street, bellow-barking at them as he went. He ruled the block, was the baron of the boulevard, this braying hell hound. The problem was that he lived at the corner of my bus stop, where I would have to catch the school bus. And every morning, I'd have Moose chasing me down the street, scaring the hell out of me. Then, one day, Moose caught me on a bad day, something had pissed me off at school, and Moose came running at me, barking like he always did, and I saw him and I roared at him in rage, arms held out. Moose froze in his tracks -- the look on his face was priceless, like this blend of surprise and horror, a body-wide spasm of terror as he realized that his bluff had been called. For a split-second, we faced off, and then I began to chase Moose down the street, not entirely sure if the dog was going to go at me or whether he was going to run away, and, on that day, not caring (and I don't quite remember why I was so mad). I was gratified to see Moose take off, running away from me -- for the first time in my childhood, great big Moose the Mutt was on the run. He took off, periodically turning to see if I was still chasing him. And I still was. I was completely going after that goddamned dog. I pursued him all the way to his yard, before leaving him alone, breathless, pleased as could be. Fucking dog. He left me alone after that. In fact, Moose wanted to be my friend after that, with the ineffable dog logic going on -- the same dog that had hounded me day after day, once he realized that I would absolutely go after him if he fucked with me again, THEN he wants to be my buddy. I was the only kid on the block who got on Moose's good side. We were pals.
And so on. And on, and on. The above paragraph is only 376 words, and it's a simple memoir-style narrative, nothing even fancy. A novel is at least 80,000 words.
Most people don't write not only because they can't write (let alone write well, or convey ideas evocatively), but they don't have the stomach for it -- the raw thanklessness of it, the endless call of the words, to say nothing of the nature of characterization, plot, description, storytelling, exposition, narration, theme, metaphor, revision, rewriting, etc. -- most people have better things to do with their lives than write -- like watching paint dry, like getting root canals, driving off cliffs -- any number of worthwhile things.
It's comforting from an ego perspective to think "Oh, I could write a novel if I wanted to." Any time somebody says that, I say "Go for it." It's so much harder than you know. And only people who really, really love it will put themselves through it. The same goes for all creative endeavors -- even though creative things make our lives worth living, make them meaningful and rich and fun -- most creatives are not well-valued or even well-compensated. But all human progress flows through them, whether it's realized or not. Human progress flows from the visionary, and the creatives express their visions through their works, benefiting humanity at large.
It's like the anonymous caveman who made the sculpture of the pretty girl, the Venus of Brassempouy. One of the earliest renditions of a human face...
Now, I can almost hear Anonymous Caveman's buds going "Gronk? Why you sit there stare at Ooona? Why you make THING with your scraping stick? We busy throwing rocks in gorge. You come! You throw, too!" And Gronk shrugs, hides it from them, or else flaunts it. But Gronk made it, and it survived (they estimate it was made ~25,000 years ago).
Ooona must have been a paleolithic hottie, or at the very least, had bitchin' hair, since Gronk lavished attention on those plaits and/or braids she was sporting (or else the hood she was wearing -- it impressed him). All of Gronk's aesthetic choices are curious to me, how he marked her eyes and nose very clearly, but gave her no apparent mouth, and took great care with her hair, which must've really impressed him. Some cavebabe inspired Gronk, and Gronk did her justice in his creation. Maybe he thought it would give him magic powers over Ooona, or maybe he wanted to flatter her with the piece.
The very human, very wonderful nature of that moment, captured in a bit of mammoth tusk, communicates the delightful power of art, and how the seeming pointlessness of it is precisely its magic -- both of them -- creator and subject -- are long, long gone, but that creation endures and survives them. And, yes, I think it was a guy who made it, like many of those early Venus sculptures.
Not everything that's created is worthwhile, but that drive to create something beautiful, however it is done (and however it is defined) is a vital (if thankless) human process that is necessary for our betterment as a species. If art dies, humanity's soul dies with it.
Anyway, end of the month, I should be done. And then my usual cure when I'm done with a piece -- more writing. Hahah!
Saturday, October 9, 2010
Hey, There...
My Net was down since Wednesday -- somebody cut my cable line. Not actually physically sheared (like before), but just flat-out removed it. I think an overzealous and/or inattentive cable guy did it. Anyway, after several days of wrangling on the phone with them, I got them here this morning to get things up and running again.
Made good use of my "down time" -- got over 15,000 words written on the book I'm working on. Without television or Internet to distract me, I was good to go. If it weren't for having a job and minding the boys some of those days, I'd have gotten even more written.
It's surprisingly warm this weekend--looks like one last blast of warmth before the inevitable autumn chill creeps in. Right now, though, it's all very sunny and mild. Very lovely.
I'm thinking of making chicken pot pie this weekend. I have a taste for it! I'll try to get the boys to have some, although we'll see. They can be oddly picky sometimes, kid-style. The other thing I'm craving is fish-n-chips and some Newcastle Brown Ale -- must be a seasonal thing, but I'm jonesing for it. There are a number of good places for fish-n-chips in the city. My favorite is the Duke of Perth. I haven't been there for years, but that was a staple for me in the 90s -- I'd call it "going Perthing" -- they have the best Scotch bar around, a fiendish wall o' Scotch, and their hard cider and fish-n-chips are da bomb! It's been so long since I've been there! But I'm fiending for some fish-n-chips, so I'll have to make a trip there. Maybe next Friday (since they do all-you-can eat f-n-c then, although anymore, one plate is about all I can handle). I remember one time a server dropped a Shepherd's Pie on the ground -- it landed with a crunch of crockery and a plop, and everybody in the bar just stopped and looked at it. Shepherd's Pie manages to warp space and time, I think -- like the amount of stuff they cram into those little crocks is staggering. Certainly, seeing it upended like that made me realize it.
No fancy plans for the moment. Just do some writing and some biking, catch up on the world -- I feel like I've been in a news blackout the past few days, at least when I'm home.
Made good use of my "down time" -- got over 15,000 words written on the book I'm working on. Without television or Internet to distract me, I was good to go. If it weren't for having a job and minding the boys some of those days, I'd have gotten even more written.
It's surprisingly warm this weekend--looks like one last blast of warmth before the inevitable autumn chill creeps in. Right now, though, it's all very sunny and mild. Very lovely.
I'm thinking of making chicken pot pie this weekend. I have a taste for it! I'll try to get the boys to have some, although we'll see. They can be oddly picky sometimes, kid-style. The other thing I'm craving is fish-n-chips and some Newcastle Brown Ale -- must be a seasonal thing, but I'm jonesing for it. There are a number of good places for fish-n-chips in the city. My favorite is the Duke of Perth. I haven't been there for years, but that was a staple for me in the 90s -- I'd call it "going Perthing" -- they have the best Scotch bar around, a fiendish wall o' Scotch, and their hard cider and fish-n-chips are da bomb! It's been so long since I've been there! But I'm fiending for some fish-n-chips, so I'll have to make a trip there. Maybe next Friday (since they do all-you-can eat f-n-c then, although anymore, one plate is about all I can handle). I remember one time a server dropped a Shepherd's Pie on the ground -- it landed with a crunch of crockery and a plop, and everybody in the bar just stopped and looked at it. Shepherd's Pie manages to warp space and time, I think -- like the amount of stuff they cram into those little crocks is staggering. Certainly, seeing it upended like that made me realize it.
No fancy plans for the moment. Just do some writing and some biking, catch up on the world -- I feel like I've been in a news blackout the past few days, at least when I'm home.
Wednesday, October 6, 2010
Hmm
Man, the US and/or Israel had to be behind that Stuxnet worm...
Not that they'll ever cop to it, but it had to be. Of course, it sets a bad precedent -- cyberwar is going to be zipping back and forth in our lifetimes, disabling systems. Should be curious.
European digital security company Kaspersky Labs released a statement that described Stuxnet as "a working and fearsome prototype of a cyber-weapon that will lead to the creation of a new arms race in the world." Kevin Hogan, Senior Director of Security Response at Symantec, noted that 60 percent of the infected computers worldwide were in Iran, suggesting its industrial plants were the target.[12] Kaspersky Labs concluded that the attacks could only have been conducted "with nation-state support", making Iran the first target of real cyber warfare.[1
Not that they'll ever cop to it, but it had to be. Of course, it sets a bad precedent -- cyberwar is going to be zipping back and forth in our lifetimes, disabling systems. Should be curious.
Shore Enough?
I saw that GAWKER was having an informal contest for people to try to write the first page of Snooki's autobiography, since she's apparently snared a book deal and such. I see it going something like this...
FAT, PLUMP FUCKIN' BUCK MULLIGAN CAME FROM THE TOP OF THE FUCKIN' STAIRS, luggin' a bowl of pickles on which a mirror and a razor lay crossed. A yellow muscle shirt was blown gently-behind him by the weak morning air. He held the bowl aloft and intoned:
-- Cane che abbaia non morde.
Belching, he peered down the dark winding stairs and called up coarsely:
-- Come up, Slitch. Come up, you fuckin' jesuit.
Seriously, he came forward and mounted the round gunrest (he fucked the staircase? Whaaa --?). For real, he fuckin' faced about and blessed the fuckin' tower, the surrounding country and the awaking mountains. Then, catching sight of The Situation, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his fuckin' head. DJ Pauly D DelVecchio, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, fuckin' horse-faced in its length, and at the light balding hair, grained and hued like a fuckin' orange.
Buck "The Fuck" Mulligan peeped an instant under the mirror and then covered the bowl smartly.
-- Get Snook her fuckin' pickles, he said, like he was Howard Stern.
Tuesday, October 5, 2010
Pentagon Power
I'm highly amused by this: the Pentagon wants less reliance on fossil fuels. And if there is any truism in American politics, it's that what the Pentagon wants, the Pentagon gets. This might be the perfect "back door" crucible to develop alternative energy resources -- while the government has dithered for 40+ years on alternative energies, held captive to Big Oil and Big Coal, the Pentagon implementing alternative energies will get the tech out there and field-tested and will have civilian applications, and the same politicians who would have been hell-bent on stalling/stonewalling/stopping its implementation at home will be scurrying to placate the Pentagon on this. Bahah!
What'll be especially nice is it'll emphasize portability and decentralization, which'll work nicely to help move beyond the centralization model that's dominated alternative energy so far. The civilian sector, the industrial component, will not want that kind of decentralization in the power grid, because it'll mean energy independence on all sorts of people, but that's exactly what makes this kind of tech so awesome. Eat it, Big Coal and Big Oil.
What'll be especially nice is it'll emphasize portability and decentralization, which'll work nicely to help move beyond the centralization model that's dominated alternative energy so far. The civilian sector, the industrial component, will not want that kind of decentralization in the power grid, because it'll mean energy independence on all sorts of people, but that's exactly what makes this kind of tech so awesome. Eat it, Big Coal and Big Oil.
Monday, October 4, 2010
GBV
I saw GBV in 2001. One of the best live shows I've seen...
"Skills Like This"
I'm just reminded because this popped up in my playlist this morning.
"Skills Like This"
I'm just reminded because this popped up in my playlist this morning.
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