Randroids. *scoff*

Reading an article about something else, I saw this good piece on Ayn Rand from a few years ago...

http://www.slate.com/articles/arts/books/2009/11/how_ayn_rand_became_an_american_icon.single.html

Ayn Rand is one of America's great mysteries. She was an amphetamine-addicted author of sub-Dan Brown potboilers, who in her spare time wrote lavish torrents of praise for serial killers and the Bernie Madoff-style embezzlers of her day. She opposed democracy on the grounds that "the masses"—her readers—were "lice" and "parasites" who scarcely deserved to live. Yet she remains one of the most popular writers in the United States, still selling 800,000 books a year from beyond the grave.

She was nuts, too, apparently...

Her diaries from that time, while she worked as a receptionist and an extra, lay out the Nietzschean mentality that underpins all her later writings. The newspapers were filled for months with stories about serial killer called William Hickman, who kidnapped a 12-year-old girl called Marion Parker from her junior high school, raped her, and dismembered her body, which he sent mockingly to the police in pieces. Rand wrote great stretches of praise for him, saying he represented "the amazing picture of a man with no regard whatsoever for all that a society holds sacred, and with a consciousness all his own. A man who really stands alone, in action and in soul. … Other people do not exist for him, and he does not see why they should." She called him "a brilliant, unusual, exceptional boy," shimmering with "immense, explicit egotism." Rand had only one regret: "A strong man can eventually trample society under its feet. That boy [Hickman] was not strong enough."
It's not hard to see this as a kind of political post-traumatic stress disorder. Rand believed the Bolshevik lie that they represented the people, so she wanted to strike back at them—through theft and murder. In a nasty irony, she was copying their tactics. She started to write her first novel, We the Living(1936), and in the early drafts her central character—a crude proxy for Rand herself—says to a Bolshevik: "I loathe your ideals. I admire your methods. If one believes one's right, one shouldn't wait to convince millions of fools, one might just as well force them."

And a manifest authoritarian, too, a cult leader...

Her heroes are a cocktail of extreme self-love and extreme self-pity: They insist they need no one, yet they spend all their time fuming that the masses don't bow down before their manifest superiority.
As her books became mega-sellers, Rand surrounded herself with a tightly policed cult of young people who believed she had found the One Objective Truth about the world. They were required to memorize her novels and slapped down as "imbecilic" and "anti-life" by Rand if they asked questions. One student said: "There was a right kind of music, a right kind of art, a right kind of interior design, a right kind of dancing. There were wrong books which we should not buy."

Rand had become addicted to amphetamines while writing The Fountainhead, and her natural paranoia and aggression were becoming more extreme as they pumped though her veins. Anybody in her circle who disagreed with her was subjected to a show trial in front of the whole group in which they would be required to repent or face expulsion. Her secretary, Barbara Weiss, said: "I came to look on her as a killer of people." The workings of her cult exposed the hollowness of Rand's claims to venerate free thinking and individualism. Her message was, think freely, as long as it leads you into total agreement with me.

A fitting end...

She never really recovered. We all become weak at some point in our lives, so a thinker who despises weakness will end up despising herself. In her 70s Rand found herself dying of lung cancer, after insisting that her followers smoke because it symbolized "man's victory over fire" and the studies showing it caused lung cancer were Communist propaganda. By then she had driven almost everyone away. In 1982, she died alone in her apartment with only a hired nurse at her side. If her philosophy is right—if the only human relationships worth having are based on the exchange of dollars—this was a happy and victorious death. Did even she believe it in the end?

I would say that "Atlas Shrugged" is the "Mein Kampf" of American fascism, truly.