Saturday, March 6, 2010

The Four Horsemen

The title of this article ("The Cavalry Can't Save Them") made me snicker.

Under the heading “The Seduction of the Libertine,” followed by a line of English verse (skip it), the notes detailed John Galliano’s collection of cavalry coats with blown-away collars, the riding tweeds and herringbones mixed with chunky sweaters, and the muted earth tones “romantically restrained like the rebelling gentry of then and today.”

The gentry? You mean those people who are running to Costco to stock up on Evian.

*cackle*

Looking at the runway photos, the Elbaz designs for Lanvin jumped out at me, and I was pleased that the reviewer appeared to concur...
Alber Elbaz’s clothes for Lanvin this season have two powerful qualities. They are at once emotional and economical, with many of the dresses cut from a single piece of stretch fabric and perhaps another to whip around the shoulder and down one arm to form a sleeve. The emotion comes from the almost muscular way Mr. Elbaz seemed to drape and gather the fabric. He is not a peplum kind of guy — too old hat for him — but to see a silver-gray jacket lightly pinched at the sides and drawn up into folds at the back was to marvel at how he got around his distaste. Perhaps he imagined he was beating egg whites to make a meringue.

Although the models were way too skinny, I thought the designs were sleek and retro-chic in all the right ways.