I got the "Justice League" movie (direct-to-DVD) and was pleasantly surprised by it -- much of the Bruce Timm-directed production team was involved with it, despite the different animators, and the result was very solid. My boys LOVE the movie, and I've watched it a couple of times, think it was fun, well-done. Not treading new ground, storywise, but it was marvelously well-executed and fun. A lot of in-jokes for comic book fanboys and -girls, but it was a compelling work, and I look forward to seeing what else Bruce Timm and company turn out. They have making good animated superhero stuff down pat!
"Push," an ostensibly SF paranormal thriller (involving superhumans) had some arresting images and at least a theoretically usable premise, but it didn't fully cohere the way it needed to -- the whole didn't equal the sum of its parts, and one of the characters (played inertly by Camilla Belle, who appears to have taken the Katie Holmes School of Acting to heart) is a big drag on the overall story. It could have been a good thriller, but I think it got out from under the creators of it, and didn't fully deliver. I think my favorite sequences involved the Screamers/Bleeders, who had a sonic scream attack...
http://www.youtube.com/watch?v=fwaiD8ZVYOU
Although the precognitive Watchers were also interesting. Surprisingly, Dakota Fanning did a good job in her role as one of the Watchers (although she was distractingly hunchy -- is that just her being "in character" or does she always have such rotten posture?) She's kind of a pint-sized Kate Hudson, and her relationship with lead character "Nick" (played by Chris Evans) was more convincing that the cobbled-together love interest Evans was supposed to have with Camilla Belle's wooden character (who reminded me of Selma Blair's "Why Is She In This Movie?" role in HELLBOY).
"Coraline" is the latest Neil Gaiman triumph -- and I say that as a bad thing -- I'm not a fan of Neil Gaiman's work. He's just too British for me, too affected, too something. Some people love his work, his dark fairyland, gothic-infused mentality -- the same folks who worship Tim Burton worship Neil Gaiman as their Tolstoy. But it doesn't quite ring true for me -- his work doesn't reach me, and I can't exactly say why. Something about his writing style, his sensibility, something. The technical achievement of the movie outweighs the larger themes of it, in my view -- a movie that's fun to watch but which doesn't particularly deliver the goods. I just kind of watched it, enjoyed it after a fashion (despite the constant, cloying British eccentricity routinely demonstrated by the supposedly American characters in it).
